186-187: Back to the Future I & II

Back to the Future

Back to the Future was one of the first movies I clearly remember seeing on the big screen. It was the actually the first movie the new movie theater in my hometown screened. Before that we had to go to the next big town and we just didn’t have the time and the money to do that in my family. With the new theater the next phase in my life began and it started with Back to the Future. From that point on I could go to the movies whenever I wanted to and I assure you that was what I did… a lot. It is therefore no surprise that Back to the Future occupies a very special spot in my heart. And I am glad to say that after nearly twenty-eight years it still holds up. Though some of the humor and visual effects don’t hold up so good Back to the Future makes up a lot of the wear and tear with a tremendous amount of good old-fashioned fun. This movie is bursting at the seams with situations and performances that are totally engaging like the diner scene where Marty meets his father for the first time or the confrontation between Biff and George that seals the deal for Marty. Or the entire character of Doc Brown, for that matter. I return to Back to the Future on a regular basis, just like someone will return to their favorite ice cream to feel better.

Back to the Future Part II

Back to the Future Part II isn’t regarded as a very good sequel. I happen to like it, though. I like the way the uppity tone from the first movie is turned upside down to create an atmosphere that is totally menacing. From the moment Marty arrives in the future you know this is not going to end well. True, the catalyst that sets off the adventure (the sports almanac) isn’t the strongest in the world, but it gets the job done. It sets in motion a mind-boggling time travel adventure that takes us to several of our favorite moments from the original movie, but now shown from a slightly different perspective. It is great to analyze how these scenes were transformed and reenacted from different viewpoints. It is uncanny how Zemeckis managed to do this. I look back on Back to the Future Part II like I do on Alien3, I know it is flawed, but I recognize the way it expanded on the original material and enriched it. I would even go so far as to say that I like Part II better than Part III, because I never actually understood the whole appeal of moving the story to western times. But that’s one for a future piece.

185: Hope Springs

hope-springs

Marriage is hard. I can tell you this from experience. It is a delicate game of give and take that can be screwed up far too easily. Kay (Meryl Streep) knows this all too well. She has been married for over three decades, but over the years anything resembling passion has been replaced by routine and more importantly… distance. Her husband, Arnold (Tommy Lee Jones), doesn’t see the problem. He gets his breakfast every morning, is home for dinner and falls asleep in front of the television. Kay and Arnold have become roommates instead of a married couple and Kay wants some of their old life back. She arranges an intense therapy session and tells Arnold she is going, whether he wants to come or not. Along the course of the therapy sessions, led by Dr. Feld (a surprisingly restrained Steve Carell), secrets are revealed and problems are laid bare.

What Hope Springs wants to tell us is that when we want a marriage to work there has to be passion and communication. Without those two elements there is no use in staying married. Even more important is the message that forcing these two elements is often even worse. Both Kay and Arnold try to force their love for each other in extreme ways and both times they fail. They (and we) come to the conclusion that love is organic and inexplicable and that it can’t be coerced by way of some strawberries or candles. It probably helps a little, but if the foundation isn’t there, forget about it.

Hope Springs is surprisingly candid about all these revelations and this is mostly due to the brilliant performances of the central cast. I connected a lot with Jones, mostly because I recognize some of myself in him (and vowed to change some of those traits after seeing the film). Streep channels her age perfectly and shows us a vulnerable side that is heartbreaking. Carell rounds out the trio with a performance we have not seen often from him. He never loses his cool and moderates the conversation between Kay and Arnold instead of dictating it with his usual shenanigans.

I had already heard through the grapevine that Hope Springs was a lot better than the poster or trailer made it out to be. This is true, but there are certainly problems with Hope Springs. Director David Frankel’s (The Devil Wears Prada) incessant use of songs is so overtly manipulative that it becomes almost expected that we get Annie Lennox’s Why? blaring from the speakers when our heroes need to work out something crucial in their relationship. Luckily the performances overcome Frankel’s constant search for melodrama by not giving in to his wishes. Streep and Jones play their parts so down to earth that no amount of musical melodrama could tear them down. Maybe that’s why Hope Springs works so well.

181-184: Harry Potter Marathon, Part 2

harry-potter-2

And here we are at the other end of our Harry Potter marathon and I must say that it hasn’t been the chore I was expecting it to be. Watching these movies in order in a short amount of time is really beneficial for someone like me… someone who hasn’t read the books. It keeps fresh the enormous amount of details that need to be remembered to make sense of it all and adds to the appreciation of this movie series.

Harry Potter and the Order of the Phoenix

From now on the proverbial excrement hits the fan. At the end of Goblet of Fire we were witness to the resurrection of Voldemort and now the race begins to save the world from his clutches. With a new director at the helm, David Yates, who would go on to direct all the remaining movies, the series takes on a much more dire tone. Gone are the whimsical elements from the story up to make room for more teenage angst, ever more perilous adventures and dark secrets revealed. At Hogwarts the situation is worsened by the arrival of Dolores Umbridge, a spy for the Ministry played wonderfully by Imelda Staunton, who turns the school into something that more resembles a prison. Harry, meanwhile, tries to convince the world that Voldemort has indeed returned, but nobody wants to believe him. Even his friends start to doubt him. His inability to convince anyone and the doubts about his own role in the whole scheme of things start to take their toll on Harry. Thankfully Daniel Radcliffe is able to shoulder this burden and give Harry enough depth to make these trials believable. The character Harry Potter seems to be in capable hands.The film ends with a spectacular sequence inside the Ministry of Magic with wall-to-wall visual effects and another riveting confrontation between Harry and Voldemort. I had my problems with Order of the Phoenix, but they are outweighed by the enjoyment of so many of the other elements.

Harry Potter and the Half-Blood Prince

This is the point where I started to lose interest when the movies were first released. To be honest, I felt left out, because so many of the concepts in this movie were foreign to me. Much in Half-Blood Prince seemed only enjoyable when you actually had read the book. But now, with all five preceding movies still fresh in my head, I must admit that I was wrong. The puzzle pieces fell into place more easily now. You just have to really pay attention to ever detail, because everything comes back in some way, shape or form. In Half-Blood Prince a new element is introduced: the Horcrux, an object infused with part of someones soul. It turns out Voldemort has hidden several of these Horcruxes and Harry (together with Dumbledore) vows to retrieve all of them and destroy them, in order to weaken Voldemort to the point where he can be killed. This provides a framework for the rest of the movies with several encounters revolving around these objects. But that’s not all. Draco Malfoy is chosen as the sacrificial lamb to do Voldemort’s bidding, the Weasley home is attacked by Bellatrix Lestrange, Sirius Black’s niece or killer, and a very important character is killed at the end of the movie. All very dramatic stuff. That is why the casting of Jim Broadbent as Horace Slughorn is so important to this movie. He is the perfect combination of lighthearted and dramatic. His acting is a breath of fresh air in the often quite heavy atmosphere of the Harry Potter world. Imelda Staunton had the same task in Order of the Phoenix, providing comic relief. All in all I really liked Half-Blood Prince, mostly because of the intense dramatic moments.

Harry Potter and the Deathly Hallows, Part 1

And so the ending begins. Battle lines are being drawn, sides are taken. Harry, Hermione and Ron are on the run from the Death Eaters, who have taken over the Ministry and attacked the wedding between Bill Weasley and Fleur Delacour. From that point on the story of Part 1 becomes a road movie about our three heroes trying to make sense of the whole mess. Ron becomes more and more angry at Harry for not doing enough to safe the wizarding world, Hermione is trying real hard to solve all the riddles that are thrown at them and Harry is hard to work to find the remaining Horcruxes without getting himself killed. If you are expecting a rollicking adventure movie this time around you are in for a surprise. While there are certainly moments where the story picks up the pace, the majority of Part 1 takes on a very subdued tone. A quiet before the storm, if you will. Once again, watching Part 1 in the theater was a boring and confounding experience for me. I hardly knew what a Horcrux or a Death Eater were, so you can imagine that this time around I liked Part 1 a lot more. I started to feel a lot of empathy for these kids who are thrust into this otherworldly adventure that is way beyond their years. No child or teen should be made to carry this burden. One of the most endearing moments comes when Harry asks Hermione to dance at one of the worst moments possible and for a few minutes they forget everything that is happening around them to enjoy the moment as they should have if the circumstances were different. Although the movie as a whole may not be the most exciting adventure of them all, I think this installment has a lot of heart and in that regard is a good setup to what is to come next.

Harry Potter and the Deathly Hallows, Part 2

And what comes next is the culmination of everything that transpired prior to Part 2. Voldemort has acquired the tools and the army to once and for all to take over the wizarding world. Everything comes to a spectacular close with Harry and his friends trying to discover the last Horcruxes, the Order of the Phoenix taking back Hogwarts and ultimately Harry preparing himself for his all important duel with Voldemort. As with every installment of the Harry Potter series. A lot of ground has to be covered before we get to where we are going. It is understandable that they split Deathly Hallows into two parts. If the book is half as dense as the movies, than that is one hell of a book to get through. Together these movies take up nearly four and a half hours of your time and not a lot of it is wasted on frivolous nonsense.

This is Harry Potter’s Return of the Jedi. This is the moment everything comes together and the big finale kicks off. Thinking back to the first movies in the series I didn’t think these kids could have acted their way out of a paper bag when the story would become more dramatic, but they have grown… a lot. Radcliffe still isn’t the best actor ever, but he holds his own across from a powerhouse like Ralph Fiennes. I could get behind what he was going through and that is a lot more than I expected. Emma Watson and Rupert Grint are still his trusty sidekicks and though there is a lot of frowning and scowling going on they carry the weight of everything their characters went through on their shoulders.

I really liked the way Deathly Hallows worked out. A lot of the loose ends were tied up neatly, even though Rowling needed a sizable flashback to do so. There were some surprises in there, but I got the feeling that there was so much information to be conveyed that the movie moved just a little too fast through it all. Maybe I have to watch it again sometime to get every last detail of the story (or maybe just read the books). One huge gripe I have with the concept of the Room of Requirement. In Order of the Phoenix it was nice, but since then it feels as a way of dealing with dead ends in the plot and having people move in and out of Hogwarts undetected. It got a little tiring to see it pop up again and again as a deus ex machina. Other than that I really liked Deathly Hallows, Part 2.

The Sum Total

Well, has this marathon changed my perception of the Harry Potter series? Absolutely. As I said at the beginning, I had seen all these movies (minus one) before, but never fully appreciated the arc Harry Potter goes through during these movies. It is actually a great story about somebody who has to carry an enormous burden before he is in any way capable of doing that and the way he copes with that responsibility. Next to the story that is engaging and fun there is the enormous technical achievement of these movies. Producer David Heyman managed to produce eight (!) major blockbuster movies in about twelve years or so. These movies have beautiful scenery, fantastic art direction and spectacular visual effects, all of them produced on an extremely tight schedule. Like the Lord of the Rings, the Harry Potter movies deserve an honorary Oscar or something for the sheer audacity of attempting this undertaking. And on top of that Heyman got the original cast to stick around when everybody was saying they could never pull that off.

It was a good decision to do this marathon, because it opened my eyes a little to what other people are so wildly enthusiastic about. It still isn’t Star Wars or Lord of the Rings, but it has certainly made me curious and what do you know maybe I will read the books one day.

178-180: Safety Not Guaranteed, Innkeepers, Fear and Loathing

178: Safety Not Guaranteed

safety-not-guaranteed

Quirky indie movies are a dime a dozen, most of them self-important exercises in low-budget moping. But sometimes an indie surfaces that manages to find the strength to raise itself above the crowd and find something interesting to say. One of these is Safety Not Guaranteed, a great science fiction fantasy drama about people searching for meaning. Once again Mark Duplass manages to give us an engaging performance (earlier this year also in Your Sister’s Sister). He plays Kenneth, a man who thinks he has built a time machine. Young journalist Darius finds a classified by Kenneth asking for a companion on his experiments. Darius (Aubrey Plaza) convinces her editor to investigate further. Under the ‘supervision’ of Jeff (New Girl’s Jake Johnson), Darius and researcher Arnau (Karan Soni) go to find the mysterious man who must be out of his mind. Once arrived things start to take a turn for the absurd as everybody starts to take the opportunity to work out their own problems. The heart of the story is the relationship between Kenneth and Darius. Plaza and Duplass really hit it off and sparks fly every second they spent together. It is an endearing look at the lives of two people searching for more. On the side there are the adventures of Jeff and Arnau, both of which are funny, but ultimately not very important to the central storyline. The whole, however, is a beautiful mix of science fiction, drama and comedy. I totally recommend watching Safety Not Guaranteed, even if you don’t like independent cinema.

179: The Innkeepers

the-innkeepers

Deconstructionist horror movies are nothing new. Earlier this year I reviewed the excellent The Cabin in the Woods and last year I loved Tucker and Dale vs. Evil. Now I can add The Innkeepers to that list, while this last addition to the genre does the deconstruction a little more subtle.  Everything in The Innkeepers revolves around the Yankee Pedlar Inn, which is about to close for good. Two custodians (Claire and Luke) are charged with taking care of the inn during its final weekend. Legend has it that the inn is haunted, or so Luke tells Claire. He is supposedly interested in the inn’s sordid history and has even devoted a website to it. During the weekend, however, strange things start to happen and old guests turn up to stay for one more night. Claire and Luke go looking for signs of the haunting, but in the end may be getting more than they bargained for. Director Ti West ramps up the tension from the beginning and doesn’t let up until the end when things start to really get out of hand. Along the way he inserts a surprising amount of humor into his screenplay which alleviates some of the more standard tropes of the haunted house genre. There is a tongue-in-cheek quality to The Innkeepers that isn’t overtly visible. I was often glued to the edge of my seat. Not because the movie was so scary or something like that, but because West paints a great picture that will stick with you. I recommend searching out The Innkeepers.

180: Fear & Loathing in Las Vegas

fear-and-loathing-in-las-vegas

Terry Gilliam adapting a Hunter S. Thompson novel is a match made in heaven. Gilliam’s movies always feel like fever dream with all its wild imagery and brilliant production design. Thompson’s famous novel about a weekend in Vegas at the end of the carefree hippy era filled with drugs, alcohol and other such debauchery fits perfectly with Gilliam’s visual exuberance. From the very first moment we know we are in for quite a ride. We see Johnny Depp and Benicio Del Toro speeding down a deserted highway on their way to Vegas. They are clearly operating under the influence of several types of drug a normal person wouldn’t think of taking, let alone combining. Once in Vegas the shenanigans don’t stop. Soon the drug use starts to take its toll and the situation turns more grim by the minute. This change is reinforced when we are witness to Del Toro intimidating the waitress (Ellen Barkin) at a diner on the wrong side of Vegas. It is an incredibly uncomfortable scene in an already uncomfortable movie. While the movie is more concerned with the drug use than the political underpinnings of Thompson’s novel I admire Gilliam’s courage to take on a project like this. I love Fear and Loathing for what it is: a crazy ride hopefully none of us will ever have to endure.

174-177: Harry Potter Marathon, Part 1

This is part one of a Harry Potter marathon me and my wife are doing over the next two weeks or so. I was pleasantly surprised that the 8-film Blu-ray collection was back on the shelves last weekend and took the opportunity to revisit these movies. Mind you, I have never read any of the books so my opinion will not be tainted by adaptation, omissions or changes. I do have to admit that I was never a really big fan of the Harry Potter series. I just wasn’t able to buy into all the fuss that surrounded them. I have seen all but one (the last), and am curious how they will come across now that I am going to watch them as one long series.

Harry Potter and the Sorcerer’s Stone

Where it all began. Chris Columbus took the helm of the behemoth undertaking that was to become one of the biggest blockbusters in movie history. By this time the Harry Potter books were already a success, so anticipation was high and Columbus didn’t disappoint. He managed (together with screenwriter Steve Kloves) to compress J.K. Rowling’s introduction of Harry Potter and his friends into a wonderfully whimsical fantasy adventure. We are thrown from one wondrous scene to the next and are treated to a nice little mystery that ends in a whopper of a teaser for what was to come with the evil Voldemort doing his evil doings. While the movie is certainly a triumph, there is also quite a bit to point out that isn’t perfect. Throughout the movie we feel Columbus constantly wants to do more, but he is bound by the enormous tome that has to be represented within the running time (which is a staggering 152 minutes). There are parts of the movie that are just there to service the exposition and introduction of all the characters, which otherwise could have been omitted. Some of these parts feel choppy and rushed. You also feel this is (as our heroes) the most immature of the stories. This is totally understandable, of course, and that also makes Sorcerer’s Stone the most  child friendly of the series. Although I still won’t let my five-year old watch it.

Harry Potter and the Chamber of Secrets

The Chamber of Secrets was to me a vast improvement over the first movie. I loved the fact that Columbus dared to take the movie down a much darker path with several scenes that were genuinely scary. Now, ten years later, I still like Chamber of Secrets very much. The kids have aged a little bit and aren’t as extremely young as they were in Sorcerer’s Stone. The stakes are a bit higher with people actually getting hurt during the movie. Harry has to really give it his all to fight the evils that lurk underneath Hogwart’s castle. There are, however, still moments that invoke the dreaded deus ex machine, like the sudden appearance of the Phoenix during the final battle. It tells me that either Rowling or Kloves were struggling there and took the easy way out. It took me out of the movie for a moment. The addition of Dobby the house elf, on the hand, is fantastic. What a great character he turned out to be. His total lack of self-respect is endearing in a way and his vindication at the end is a great moment in the movie. Chamber of Secrets has the good fortune of not being encumbered by the necessity to explain everything about our heroes. It dives right in and doesn’t stop until the 161 minute running time is over. I assure you that those minutes will fly by before you realize it.

Harry Potter and the Prisoner of Azkaban

Many point at Prisoner of Azkaban as one of their favorite Harry Potter installments. I don’t see it. I don’t particularly like the third part in the this enormous series. This has several reasons. First is the tone. Director Alfonso Cuarón decided to leave behind the slightly more cheerful color palette of the Columbus chapters in favor of a nearly bleached out color spectrum that sucks all the wonder out the movie. And it is wonder that drove the first two movies. Second is the intensely choppy nature of the screenplay. I admire some of the obstacles Rowling introduces into the world of Harry Potter, like the genuinely scary Dementors. These soul sucking monsters look like they have been lifted from the pages of a Tolkien novel, but that doesn’t make them any less creepy. There are however enough moments that are so shamelessly manipulative (like Ron keeping his hand against the window in the train, or the flight of the hippogriff) that it takes me out of the movie every time. The final sequence with the time travelling is fun and all, but could the story not have been told without that gimmick? Are there positive aspects to Prisoner of Azkaban? Sure, the movie looks gorgeous, even in its almost black and white color scheme. The addition of more British heavy hitters (David Thewlis, Gary Oldman, Emma Thompson, Timothy Spall) to the supporting cast lends more gravity to the movie. I think people think this is one of the best installments because of the shock value after first seeing part two and then Prisoner of Azkaban.

Harry Potter and the Goblet of Fire

When I first saw Goblet of Fire back in 2006 I was terribly disappointed. Somehow the movie didn’t connect with me in any way and it in fact annoyed the hell out of me. Maybe the dreadful haircuts of the boys were to blame, or the overtly teenage problems the characters were dealing with. Maybe I was a bit too cynical at that time. I don’t know. What I do know is that I like Goblet of Fire quite a bit more this time around. While the first fifteen minutes still feel like an extreme aggregation of what really transpired, the rest felt like a real adventure for everybody involved. Harry has to cope with being the fourth contender in this ludicrous tournament, while also being plagued by nightmares that foreshadow an event that will rock Harry’s world later in the movie. On the other side there are Ron and Hermione, who have their own problems to deal with. Ron is fed up with being the third wheel and starts to stand up to Harry. However annoying and unreasonable he may be. This is typical teenage behavior and completely fitting. Also fitting is Hermione’s blossoming into an attractive young woman. For the first time she is occupied with the possibility of something else than always having her nose in a book. It is lovely to see that these two characters also get their moments to develop themselves. Then there are the challenges, which are all fun and exciting sequences. Tie those elements together and you have a really fun adventure with a tremendous pay-off where we finally get to experience Ralph Fiennes’ Voldemort in full force. It feels like Goblet of Fire is just the right combination of the wonder of past movies and the seriousness of the coming movies.

Soon part 2 of this duology.

171-173: ParaNorman, Cosmopolis, Skyfall

171: ParaNorman

With ParaNorman, animation company Laika has made themselves a force to be reckoned with. After the flawed, but charming Corpse Bride and the downright awesome Coraline they have shown that they can tackle grown-up while simultaneously entertaining young and old alike. ParaNorman fits perfectly within that description. This story about a young boy who can see the dead wandering around is a touching story about being different and embracing that ways that make us unique and interesting. It goes to places where you never thought it could go. It plays with your expectations and several times gives the audience something to think about. All the while we are treated to beautiful animation, perfect pacing and hilarious comedy. The pacing comes to the for when we are treated to quiet character moments followed by raucous action fun and never do the transitions feel jarring. The comedy is everywhere. From tiny moments between Norman and the ghosts to the zombie invasion in the village that suddenly takes a turn for the unexpected. I loved ParaNorman from start to finish. In fact, I felt this would be a special movie when I watched the first trailer. Highly recommended and a certain contender for my top ten for 2012.

172: Cosmopolis

David Cronenberg is more and more removing himself from the type of movies we have come to know him for. No more body horror for him, but something that resembles psychological horror. Earlier this year I watched A Dangerous Method, which was not a movie I could get behind (for whatever reason). Now it is Cosmopolis, a movie that I want to like so bad, but am having a hard time doing so. Cosmopolis, based on a novel by Don DeLillo, is about a young man who wants nothing more than a haircut. The problem is that his regular barber shop is on the other side of Manhattan and the streets are about to be overrun by protesters who want nothing more than to lynch our hero. This is because he is a very wealthy and successful investment banker and that makes him a prime target for them. On top of all that he sees his empire crumble in front of his eyes during the day. It is a strange journey on which he almost never leaves his limo and meets several people he has conversations with.

I stress this last bit, because most of Cosmopolis consists of conversations of the highest sort. Like A Dangerous Method, you really have to keep your attention with the film or else you will lose chunks of relevant (and sometimes not so relevant) dialogue. I like these kinds of movies where dialogue plays a big part, but it usually takes me a couple of viewings to grasp the whole picture. Can I recommend Cosmopolis? That’s a difficult question. It all depends on your willingness to have your ears do more of the work than your eyes. For the most past I like the direction Cronenberg has been going in the last few years (A History of Violence and Eastern Promises are brilliant movies), but I also wish he would once in a while go back to the more outlandish subjects he tackled in movies like The Fly and eXistenZ. Who doesn’t love some freakish body horror every so often?

173: Skyfall

James Bond has never been a slam dunk for me. I can appreciate the action sequences and the strange situations Bond finds himself in on a regular basis. But there always is a nagging resistance in the back of my mind that prevents me from loving these movies the way a lot of other people do. This new incarnation has been up and down for me. I liked Casino Royale, but that was more due to the bold turn the series took. I was stunned that I was incredibly bored by Quantum of Solace. Now we have the third Daniel Craig James Bond movie, titled Skyfall, and it falls somewhere in between these two earlier installments. I liked Skyfall, I truly did, but I constantly got the feeling that we have seen it all before. How many times have we seen a list of secret agents get into the wrong hands? How many times have we seen people hacking into computers to get their way? How many times have we seen the bad guy be captured (willing or not) to hedge some nefarious scheme? It has all been done before. Maybe this is because Bond has been around for fifty years by now and the stories run a little thin after all that time. As a spy thriller there is a lot to like about Skyfall. It is fast paced, funny at times, and full of drama that doesn’t actually involve Bond. As an entry in the Bond continuum I must this is one of the better entries, but as a movie in the free world among other movies I don’t count this as a great movie.

169-170: Tropic Thunder, Lawless

169: Tropic Thunder

Anyone who loves Vietnam war movies (or movies in general) owes it to themselves to watch Tropic Thunder, Ben Stiller’s hilarious spoof. Nothing is safe when Stiller gets his hands on it, it seems. Platoon, Apocalypse Now, the entire movie industry, everything gets its fair share of Stiller’s wrath. Because that’s primarily what Tropic Thunder is about: Stiller venting some cropped up frustration. His frustration with agents (Matthew McConaughey), producers (hilariously despicable Tom Cruise), directors (ever funny Steve Coogan) and most definitely the stars. He doesn’t shield himself from his own wrath. His character is a stupid action star, who decided he wanted an Oscar and played a retarded man in a misguided movie called Simple Jack, for which he is admonished by multiple Oscar winner Kirk Lazarus (an obvious jab at Russell Crowe), who himself decided to turn himself into a black man to get ready for his next role. I have watched Tropic Thunder several times now and it doesn’t cease to entertain me. There is so much to love here. So many great lines to quote (“I’m a lead farmer, motherfucker!”). I also recommend everybody to watch the brilliant making of documentary Rain of Madness, a parody of Hearts of Darkness, the fabulous documentary about the making of Apocalypse Now. Tropic Thunder is one of those rare comedies that work on many levels: it is incredibly funny, painfully insightful and even surprisingly dramatic at times. I urge everybody to see it.

170: Lawless

John Hillcoat’s The Road, based on the novel by Cormac McCarthy, was one of my favorite movies from 2009. It showed me that this director was capable of creating a world that is terrifyingly real and menacing. Next he would go on to direct an extraordinary project: a short film based on the video game Red Dead Redemption, coincidentally one of the best video game experiences I have ever had. It is therefore not surprising that I was very anxious to see what Hillcoat would do next. It turned out it would be Lawless, a movie about the infamous Bondurant brothers (Tom Hardy, Shia LaBeouf, Jason Clarke), a notorious gang of bootleggers who ran their operation in the mountains of Franklin County, Virginia during the Prohibition. That is, until Deputy Charles Rakes (Guy Pearce) turned up to clean the area. Supposedly Lawless is based on a true story about these three brothers who used the Prohibition to carve out a niche for themselves. This sounds noble, but in reality they were of course ruthless criminals when push came to shove. So were the law enforcement officials, who didn’t hesitate to crack some skulls to get their point across. Hillcoat doesn’t shy away from the violence these people have to perpetrate and endure and Lawless is because of that not stuff for viewers with a weak stomach. It is all framed beautifully and undeniably the work of a visionary director. There are, however, some holes in the story, but those didn’t really bother me that much. What compelled me were the excellent performances by just about the entire cast. This is by no means Hillcoat’s best movie (I have not yet seen The Proposition), but it is also not the worst movie of the year.

> IMDb