196-200: Dr.No, From Russia, Goldfinger, Thunderball, Live Twice

James Bond has never been my so-called thing, but I remember really liking some of these movies as a kid. So with the release of Skyfall, which I did not very much like, I decided to watch all the James Bond movies in chronological order, because also there still are some blank spots in the world’s most favorite secret agent. By now I have watched the first five installments. Here’s in a nutshell what I thought about them.

196: Dr. No

dr-noI had never really finished watching Dr. No. I just didn’t find it all that interesting. And that sentiment didn’t exactly change when I watched it this time. I found it all to be incredibly silly with James Bond being more misogynist than I remembered from earlier viewings. The whole concept of Dr. No sitting on this “cursed” island waiting to exact his punishment on the American space program, all the while being protected by an armored tank disguised as a fire spewing dragon was a little bit too much for me. I have never read any of the Fleming books and I expect them to be just as silly.

197: From Russia with Love

from-russia-with-loveThis is where the real spy series takes off in my opinion. As a direct sequel to Dr. No it handles with the aftermath of everything that transpired in that far off island in the Caribbean. This time the Russians are brought into the mix with some honest to God spying going on. Plus we get trained assassins, great fights and nice gadgets. And we see Bond’s womanizing ways being used against him for the first time. I found From Russia with Love to be a much more mature movie than Dr. No with less silliness and more spy fun.

198: Goldfinger

goldfingerWith Goldfinger the series departs the SPECTRE storyline for a while (because Thunderball was still mired in legal troubles) to pursue Auric Goldfinger and his outlandish henchman Oddjob. Bond has to prevent Goldfinger from robbing Fort Knox in a strange but exhilarating raid on the highly defended facility in Kentucky. There is a lot about Goldfinger that is just as implausible as anything seen in Dr. No, but it bothered me a lot less here. For example, why would Goldfinger keep his most annoying adversary so close while planning the largest robbery in history? Well, probably to be able to utter the iconic line “No, Mr. Bond. I expect you to die!” I had not seen Goldfinger before (except for some of the iconic imagery) and I must say I enjoyed it quite a bit.

199: Thunderball

thunderballWith the success of the first installments it is clear that with Thunderball the production got a little bit out of hand. It starts with Bond’s use of a jetpack to escape a castle to drive off in his trusted Aston Martin. Than a surgically altered pilot hijacks a British airplane with two nuclear bombs on board, crashes it into the ocean where divers remove the bombs and camouflage the airplane. After a run-in with the beautiful Domino Bond is captured and he escapes again. He finds the downed airplane and he discovers a plan to destroys Miami Beach. A huge underwater battle ensues, Bond kills the bad guy and escapes with the girl. Sounds pretty conventional for a Bond movie, right? Yes, if only it didn’t take to looooooooong to get where it is going. I believe the director Terence Young had something to prove after not having directed Goldfinger. The result is a movie that is surely about thirty minutes too long. Also Sean Connery is noticeably getting tired of playing this popular character, which is understandable because he had been churning one of these movie out every year at this point. I found Thunderball anything but a pleasure to watch.

200: You Only Live Twice

you-only-live-twiceWhen I was about ten years old I remember going to a friend’s birthday party where they had rented You Only Live Twice for us to watch. I was hooked from the first frame to the last frame. Rewatching this fifth installment I can certainly see why my ten-year-old self would fall in love with this movie. Space battles, vicious ninja, a volcano lair, a faked death, huge rockets and Little Nellie. What’s not to love? Well, as an adult I didn’t exactly take to You Only Live Twice as I once did. The production is still lavish and inviting, but the story is so full of holes and (even by Bond’s standards) stupidity that it sucked the fun out of it for me. Add to that the ridiculous transformation Bond goes through to become “Japanese” and I was done with You Only Live Twice. I’m sure my kid will live it eventually.

186-187: Back to the Future I & II

Back to the Future

Back to the Future was one of the first movies I clearly remember seeing on the big screen. It was the actually the first movie the new movie theater in my hometown screened. Before that we had to go to the next big town and we just didn’t have the time and the money to do that in my family. With the new theater the next phase in my life began and it started with Back to the Future. From that point on I could go to the movies whenever I wanted to and I assure you that was what I did… a lot. It is therefore no surprise that Back to the Future occupies a very special spot in my heart. And I am glad to say that after nearly twenty-eight years it still holds up. Though some of the humor and visual effects don’t hold up so good Back to the Future makes up a lot of the wear and tear with a tremendous amount of good old-fashioned fun. This movie is bursting at the seams with situations and performances that are totally engaging like the diner scene where Marty meets his father for the first time or the confrontation between Biff and George that seals the deal for Marty. Or the entire character of Doc Brown, for that matter. I return to Back to the Future on a regular basis, just like someone will return to their favorite ice cream to feel better.

Back to the Future Part II

Back to the Future Part II isn’t regarded as a very good sequel. I happen to like it, though. I like the way the uppity tone from the first movie is turned upside down to create an atmosphere that is totally menacing. From the moment Marty arrives in the future you know this is not going to end well. True, the catalyst that sets off the adventure (the sports almanac) isn’t the strongest in the world, but it gets the job done. It sets in motion a mind-boggling time travel adventure that takes us to several of our favorite moments from the original movie, but now shown from a slightly different perspective. It is great to analyze how these scenes were transformed and reenacted from different viewpoints. It is uncanny how Zemeckis managed to do this. I look back on Back to the Future Part II like I do on Alien3, I know it is flawed, but I recognize the way it expanded on the original material and enriched it. I would even go so far as to say that I like Part II better than Part III, because I never actually understood the whole appeal of moving the story to western times. But that’s one for a future piece.

181-184: Harry Potter Marathon, Part 2

harry-potter-2

And here we are at the other end of our Harry Potter marathon and I must say that it hasn’t been the chore I was expecting it to be. Watching these movies in order in a short amount of time is really beneficial for someone like me… someone who hasn’t read the books. It keeps fresh the enormous amount of details that need to be remembered to make sense of it all and adds to the appreciation of this movie series.

Harry Potter and the Order of the Phoenix

From now on the proverbial excrement hits the fan. At the end of Goblet of Fire we were witness to the resurrection of Voldemort and now the race begins to save the world from his clutches. With a new director at the helm, David Yates, who would go on to direct all the remaining movies, the series takes on a much more dire tone. Gone are the whimsical elements from the story up to make room for more teenage angst, ever more perilous adventures and dark secrets revealed. At Hogwarts the situation is worsened by the arrival of Dolores Umbridge, a spy for the Ministry played wonderfully by Imelda Staunton, who turns the school into something that more resembles a prison. Harry, meanwhile, tries to convince the world that Voldemort has indeed returned, but nobody wants to believe him. Even his friends start to doubt him. His inability to convince anyone and the doubts about his own role in the whole scheme of things start to take their toll on Harry. Thankfully Daniel Radcliffe is able to shoulder this burden and give Harry enough depth to make these trials believable. The character Harry Potter seems to be in capable hands.The film ends with a spectacular sequence inside the Ministry of Magic with wall-to-wall visual effects and another riveting confrontation between Harry and Voldemort. I had my problems with Order of the Phoenix, but they are outweighed by the enjoyment of so many of the other elements.

Harry Potter and the Half-Blood Prince

This is the point where I started to lose interest when the movies were first released. To be honest, I felt left out, because so many of the concepts in this movie were foreign to me. Much in Half-Blood Prince seemed only enjoyable when you actually had read the book. But now, with all five preceding movies still fresh in my head, I must admit that I was wrong. The puzzle pieces fell into place more easily now. You just have to really pay attention to ever detail, because everything comes back in some way, shape or form. In Half-Blood Prince a new element is introduced: the Horcrux, an object infused with part of someones soul. It turns out Voldemort has hidden several of these Horcruxes and Harry (together with Dumbledore) vows to retrieve all of them and destroy them, in order to weaken Voldemort to the point where he can be killed. This provides a framework for the rest of the movies with several encounters revolving around these objects. But that’s not all. Draco Malfoy is chosen as the sacrificial lamb to do Voldemort’s bidding, the Weasley home is attacked by Bellatrix Lestrange, Sirius Black’s niece or killer, and a very important character is killed at the end of the movie. All very dramatic stuff. That is why the casting of Jim Broadbent as Horace Slughorn is so important to this movie. He is the perfect combination of lighthearted and dramatic. His acting is a breath of fresh air in the often quite heavy atmosphere of the Harry Potter world. Imelda Staunton had the same task in Order of the Phoenix, providing comic relief. All in all I really liked Half-Blood Prince, mostly because of the intense dramatic moments.

Harry Potter and the Deathly Hallows, Part 1

And so the ending begins. Battle lines are being drawn, sides are taken. Harry, Hermione and Ron are on the run from the Death Eaters, who have taken over the Ministry and attacked the wedding between Bill Weasley and Fleur Delacour. From that point on the story of Part 1 becomes a road movie about our three heroes trying to make sense of the whole mess. Ron becomes more and more angry at Harry for not doing enough to safe the wizarding world, Hermione is trying real hard to solve all the riddles that are thrown at them and Harry is hard to work to find the remaining Horcruxes without getting himself killed. If you are expecting a rollicking adventure movie this time around you are in for a surprise. While there are certainly moments where the story picks up the pace, the majority of Part 1 takes on a very subdued tone. A quiet before the storm, if you will. Once again, watching Part 1 in the theater was a boring and confounding experience for me. I hardly knew what a Horcrux or a Death Eater were, so you can imagine that this time around I liked Part 1 a lot more. I started to feel a lot of empathy for these kids who are thrust into this otherworldly adventure that is way beyond their years. No child or teen should be made to carry this burden. One of the most endearing moments comes when Harry asks Hermione to dance at one of the worst moments possible and for a few minutes they forget everything that is happening around them to enjoy the moment as they should have if the circumstances were different. Although the movie as a whole may not be the most exciting adventure of them all, I think this installment has a lot of heart and in that regard is a good setup to what is to come next.

Harry Potter and the Deathly Hallows, Part 2

And what comes next is the culmination of everything that transpired prior to Part 2. Voldemort has acquired the tools and the army to once and for all to take over the wizarding world. Everything comes to a spectacular close with Harry and his friends trying to discover the last Horcruxes, the Order of the Phoenix taking back Hogwarts and ultimately Harry preparing himself for his all important duel with Voldemort. As with every installment of the Harry Potter series. A lot of ground has to be covered before we get to where we are going. It is understandable that they split Deathly Hallows into two parts. If the book is half as dense as the movies, than that is one hell of a book to get through. Together these movies take up nearly four and a half hours of your time and not a lot of it is wasted on frivolous nonsense.

This is Harry Potter’s Return of the Jedi. This is the moment everything comes together and the big finale kicks off. Thinking back to the first movies in the series I didn’t think these kids could have acted their way out of a paper bag when the story would become more dramatic, but they have grown… a lot. Radcliffe still isn’t the best actor ever, but he holds his own across from a powerhouse like Ralph Fiennes. I could get behind what he was going through and that is a lot more than I expected. Emma Watson and Rupert Grint are still his trusty sidekicks and though there is a lot of frowning and scowling going on they carry the weight of everything their characters went through on their shoulders.

I really liked the way Deathly Hallows worked out. A lot of the loose ends were tied up neatly, even though Rowling needed a sizable flashback to do so. There were some surprises in there, but I got the feeling that there was so much information to be conveyed that the movie moved just a little too fast through it all. Maybe I have to watch it again sometime to get every last detail of the story (or maybe just read the books). One huge gripe I have with the concept of the Room of Requirement. In Order of the Phoenix it was nice, but since then it feels as a way of dealing with dead ends in the plot and having people move in and out of Hogwarts undetected. It got a little tiring to see it pop up again and again as a deus ex machina. Other than that I really liked Deathly Hallows, Part 2.

The Sum Total

Well, has this marathon changed my perception of the Harry Potter series? Absolutely. As I said at the beginning, I had seen all these movies (minus one) before, but never fully appreciated the arc Harry Potter goes through during these movies. It is actually a great story about somebody who has to carry an enormous burden before he is in any way capable of doing that and the way he copes with that responsibility. Next to the story that is engaging and fun there is the enormous technical achievement of these movies. Producer David Heyman managed to produce eight (!) major blockbuster movies in about twelve years or so. These movies have beautiful scenery, fantastic art direction and spectacular visual effects, all of them produced on an extremely tight schedule. Like the Lord of the Rings, the Harry Potter movies deserve an honorary Oscar or something for the sheer audacity of attempting this undertaking. And on top of that Heyman got the original cast to stick around when everybody was saying they could never pull that off.

It was a good decision to do this marathon, because it opened my eyes a little to what other people are so wildly enthusiastic about. It still isn’t Star Wars or Lord of the Rings, but it has certainly made me curious and what do you know maybe I will read the books one day.

178-180: Safety Not Guaranteed, Innkeepers, Fear and Loathing

178: Safety Not Guaranteed

safety-not-guaranteed

Quirky indie movies are a dime a dozen, most of them self-important exercises in low-budget moping. But sometimes an indie surfaces that manages to find the strength to raise itself above the crowd and find something interesting to say. One of these is Safety Not Guaranteed, a great science fiction fantasy drama about people searching for meaning. Once again Mark Duplass manages to give us an engaging performance (earlier this year also in Your Sister’s Sister). He plays Kenneth, a man who thinks he has built a time machine. Young journalist Darius finds a classified by Kenneth asking for a companion on his experiments. Darius (Aubrey Plaza) convinces her editor to investigate further. Under the ‘supervision’ of Jeff (New Girl’s Jake Johnson), Darius and researcher Arnau (Karan Soni) go to find the mysterious man who must be out of his mind. Once arrived things start to take a turn for the absurd as everybody starts to take the opportunity to work out their own problems. The heart of the story is the relationship between Kenneth and Darius. Plaza and Duplass really hit it off and sparks fly every second they spent together. It is an endearing look at the lives of two people searching for more. On the side there are the adventures of Jeff and Arnau, both of which are funny, but ultimately not very important to the central storyline. The whole, however, is a beautiful mix of science fiction, drama and comedy. I totally recommend watching Safety Not Guaranteed, even if you don’t like independent cinema.

179: The Innkeepers

the-innkeepers

Deconstructionist horror movies are nothing new. Earlier this year I reviewed the excellent The Cabin in the Woods and last year I loved Tucker and Dale vs. Evil. Now I can add The Innkeepers to that list, while this last addition to the genre does the deconstruction a little more subtle.  Everything in The Innkeepers revolves around the Yankee Pedlar Inn, which is about to close for good. Two custodians (Claire and Luke) are charged with taking care of the inn during its final weekend. Legend has it that the inn is haunted, or so Luke tells Claire. He is supposedly interested in the inn’s sordid history and has even devoted a website to it. During the weekend, however, strange things start to happen and old guests turn up to stay for one more night. Claire and Luke go looking for signs of the haunting, but in the end may be getting more than they bargained for. Director Ti West ramps up the tension from the beginning and doesn’t let up until the end when things start to really get out of hand. Along the way he inserts a surprising amount of humor into his screenplay which alleviates some of the more standard tropes of the haunted house genre. There is a tongue-in-cheek quality to The Innkeepers that isn’t overtly visible. I was often glued to the edge of my seat. Not because the movie was so scary or something like that, but because West paints a great picture that will stick with you. I recommend searching out The Innkeepers.

180: Fear & Loathing in Las Vegas

fear-and-loathing-in-las-vegas

Terry Gilliam adapting a Hunter S. Thompson novel is a match made in heaven. Gilliam’s movies always feel like fever dream with all its wild imagery and brilliant production design. Thompson’s famous novel about a weekend in Vegas at the end of the carefree hippy era filled with drugs, alcohol and other such debauchery fits perfectly with Gilliam’s visual exuberance. From the very first moment we know we are in for quite a ride. We see Johnny Depp and Benicio Del Toro speeding down a deserted highway on their way to Vegas. They are clearly operating under the influence of several types of drug a normal person wouldn’t think of taking, let alone combining. Once in Vegas the shenanigans don’t stop. Soon the drug use starts to take its toll and the situation turns more grim by the minute. This change is reinforced when we are witness to Del Toro intimidating the waitress (Ellen Barkin) at a diner on the wrong side of Vegas. It is an incredibly uncomfortable scene in an already uncomfortable movie. While the movie is more concerned with the drug use than the political underpinnings of Thompson’s novel I admire Gilliam’s courage to take on a project like this. I love Fear and Loathing for what it is: a crazy ride hopefully none of us will ever have to endure.

174-177: Harry Potter Marathon, Part 1

This is part one of a Harry Potter marathon me and my wife are doing over the next two weeks or so. I was pleasantly surprised that the 8-film Blu-ray collection was back on the shelves last weekend and took the opportunity to revisit these movies. Mind you, I have never read any of the books so my opinion will not be tainted by adaptation, omissions or changes. I do have to admit that I was never a really big fan of the Harry Potter series. I just wasn’t able to buy into all the fuss that surrounded them. I have seen all but one (the last), and am curious how they will come across now that I am going to watch them as one long series.

Harry Potter and the Sorcerer’s Stone

Where it all began. Chris Columbus took the helm of the behemoth undertaking that was to become one of the biggest blockbusters in movie history. By this time the Harry Potter books were already a success, so anticipation was high and Columbus didn’t disappoint. He managed (together with screenwriter Steve Kloves) to compress J.K. Rowling’s introduction of Harry Potter and his friends into a wonderfully whimsical fantasy adventure. We are thrown from one wondrous scene to the next and are treated to a nice little mystery that ends in a whopper of a teaser for what was to come with the evil Voldemort doing his evil doings. While the movie is certainly a triumph, there is also quite a bit to point out that isn’t perfect. Throughout the movie we feel Columbus constantly wants to do more, but he is bound by the enormous tome that has to be represented within the running time (which is a staggering 152 minutes). There are parts of the movie that are just there to service the exposition and introduction of all the characters, which otherwise could have been omitted. Some of these parts feel choppy and rushed. You also feel this is (as our heroes) the most immature of the stories. This is totally understandable, of course, and that also makes Sorcerer’s Stone the most  child friendly of the series. Although I still won’t let my five-year old watch it.

Harry Potter and the Chamber of Secrets

The Chamber of Secrets was to me a vast improvement over the first movie. I loved the fact that Columbus dared to take the movie down a much darker path with several scenes that were genuinely scary. Now, ten years later, I still like Chamber of Secrets very much. The kids have aged a little bit and aren’t as extremely young as they were in Sorcerer’s Stone. The stakes are a bit higher with people actually getting hurt during the movie. Harry has to really give it his all to fight the evils that lurk underneath Hogwart’s castle. There are, however, still moments that invoke the dreaded deus ex machine, like the sudden appearance of the Phoenix during the final battle. It tells me that either Rowling or Kloves were struggling there and took the easy way out. It took me out of the movie for a moment. The addition of Dobby the house elf, on the hand, is fantastic. What a great character he turned out to be. His total lack of self-respect is endearing in a way and his vindication at the end is a great moment in the movie. Chamber of Secrets has the good fortune of not being encumbered by the necessity to explain everything about our heroes. It dives right in and doesn’t stop until the 161 minute running time is over. I assure you that those minutes will fly by before you realize it.

Harry Potter and the Prisoner of Azkaban

Many point at Prisoner of Azkaban as one of their favorite Harry Potter installments. I don’t see it. I don’t particularly like the third part in the this enormous series. This has several reasons. First is the tone. Director Alfonso Cuarón decided to leave behind the slightly more cheerful color palette of the Columbus chapters in favor of a nearly bleached out color spectrum that sucks all the wonder out the movie. And it is wonder that drove the first two movies. Second is the intensely choppy nature of the screenplay. I admire some of the obstacles Rowling introduces into the world of Harry Potter, like the genuinely scary Dementors. These soul sucking monsters look like they have been lifted from the pages of a Tolkien novel, but that doesn’t make them any less creepy. There are however enough moments that are so shamelessly manipulative (like Ron keeping his hand against the window in the train, or the flight of the hippogriff) that it takes me out of the movie every time. The final sequence with the time travelling is fun and all, but could the story not have been told without that gimmick? Are there positive aspects to Prisoner of Azkaban? Sure, the movie looks gorgeous, even in its almost black and white color scheme. The addition of more British heavy hitters (David Thewlis, Gary Oldman, Emma Thompson, Timothy Spall) to the supporting cast lends more gravity to the movie. I think people think this is one of the best installments because of the shock value after first seeing part two and then Prisoner of Azkaban.

Harry Potter and the Goblet of Fire

When I first saw Goblet of Fire back in 2006 I was terribly disappointed. Somehow the movie didn’t connect with me in any way and it in fact annoyed the hell out of me. Maybe the dreadful haircuts of the boys were to blame, or the overtly teenage problems the characters were dealing with. Maybe I was a bit too cynical at that time. I don’t know. What I do know is that I like Goblet of Fire quite a bit more this time around. While the first fifteen minutes still feel like an extreme aggregation of what really transpired, the rest felt like a real adventure for everybody involved. Harry has to cope with being the fourth contender in this ludicrous tournament, while also being plagued by nightmares that foreshadow an event that will rock Harry’s world later in the movie. On the other side there are Ron and Hermione, who have their own problems to deal with. Ron is fed up with being the third wheel and starts to stand up to Harry. However annoying and unreasonable he may be. This is typical teenage behavior and completely fitting. Also fitting is Hermione’s blossoming into an attractive young woman. For the first time she is occupied with the possibility of something else than always having her nose in a book. It is lovely to see that these two characters also get their moments to develop themselves. Then there are the challenges, which are all fun and exciting sequences. Tie those elements together and you have a really fun adventure with a tremendous pay-off where we finally get to experience Ralph Fiennes’ Voldemort in full force. It feels like Goblet of Fire is just the right combination of the wonder of past movies and the seriousness of the coming movies.

Soon part 2 of this duology.

171-173: ParaNorman, Cosmopolis, Skyfall

171: ParaNorman

With ParaNorman, animation company Laika has made themselves a force to be reckoned with. After the flawed, but charming Corpse Bride and the downright awesome Coraline they have shown that they can tackle grown-up while simultaneously entertaining young and old alike. ParaNorman fits perfectly within that description. This story about a young boy who can see the dead wandering around is a touching story about being different and embracing that ways that make us unique and interesting. It goes to places where you never thought it could go. It plays with your expectations and several times gives the audience something to think about. All the while we are treated to beautiful animation, perfect pacing and hilarious comedy. The pacing comes to the for when we are treated to quiet character moments followed by raucous action fun and never do the transitions feel jarring. The comedy is everywhere. From tiny moments between Norman and the ghosts to the zombie invasion in the village that suddenly takes a turn for the unexpected. I loved ParaNorman from start to finish. In fact, I felt this would be a special movie when I watched the first trailer. Highly recommended and a certain contender for my top ten for 2012.

172: Cosmopolis

David Cronenberg is more and more removing himself from the type of movies we have come to know him for. No more body horror for him, but something that resembles psychological horror. Earlier this year I watched A Dangerous Method, which was not a movie I could get behind (for whatever reason). Now it is Cosmopolis, a movie that I want to like so bad, but am having a hard time doing so. Cosmopolis, based on a novel by Don DeLillo, is about a young man who wants nothing more than a haircut. The problem is that his regular barber shop is on the other side of Manhattan and the streets are about to be overrun by protesters who want nothing more than to lynch our hero. This is because he is a very wealthy and successful investment banker and that makes him a prime target for them. On top of all that he sees his empire crumble in front of his eyes during the day. It is a strange journey on which he almost never leaves his limo and meets several people he has conversations with.

I stress this last bit, because most of Cosmopolis consists of conversations of the highest sort. Like A Dangerous Method, you really have to keep your attention with the film or else you will lose chunks of relevant (and sometimes not so relevant) dialogue. I like these kinds of movies where dialogue plays a big part, but it usually takes me a couple of viewings to grasp the whole picture. Can I recommend Cosmopolis? That’s a difficult question. It all depends on your willingness to have your ears do more of the work than your eyes. For the most past I like the direction Cronenberg has been going in the last few years (A History of Violence and Eastern Promises are brilliant movies), but I also wish he would once in a while go back to the more outlandish subjects he tackled in movies like The Fly and eXistenZ. Who doesn’t love some freakish body horror every so often?

173: Skyfall

James Bond has never been a slam dunk for me. I can appreciate the action sequences and the strange situations Bond finds himself in on a regular basis. But there always is a nagging resistance in the back of my mind that prevents me from loving these movies the way a lot of other people do. This new incarnation has been up and down for me. I liked Casino Royale, but that was more due to the bold turn the series took. I was stunned that I was incredibly bored by Quantum of Solace. Now we have the third Daniel Craig James Bond movie, titled Skyfall, and it falls somewhere in between these two earlier installments. I liked Skyfall, I truly did, but I constantly got the feeling that we have seen it all before. How many times have we seen a list of secret agents get into the wrong hands? How many times have we seen people hacking into computers to get their way? How many times have we seen the bad guy be captured (willing or not) to hedge some nefarious scheme? It has all been done before. Maybe this is because Bond has been around for fifty years by now and the stories run a little thin after all that time. As a spy thriller there is a lot to like about Skyfall. It is fast paced, funny at times, and full of drama that doesn’t actually involve Bond. As an entry in the Bond continuum I must this is one of the better entries, but as a movie in the free world among other movies I don’t count this as a great movie.

162-165: Magic Mike, Haywire, Iron Fists, Nemo

162: Magic Mike

During the production of Haywire director Steven Soderbergh struck up a conversation with one of his stars Channing Tatum. It turned out Tatum had quite a history. When he was a young guy he used to earn his living stripping on stage in front of hundreds of screaming women. This intrigued Soderbergh and he decided to turn Tatum’s story into a movie, something Tatum was all too happy to be a part of. Tatum chose to play himself in the movie. Mike (Tatum) is a young stripper who is very good at his job, but he really wants more out of his life. He likes to design furniture, for instance. One day he meets Adam (Alex Pettyfer) and makes it his mission to induct him into the wild life of stripping. The boy turns out to be something of a talent. All the while Mike is working with his boss Dallas (Matthew McConaughey) to open a new bar in Miami, where supposedly the real money can be made. There are some entanglements with Adam’s sister and of course everything goes sour in the end. Well, let’s just say this is not a movie one watched for the story. It is like Top Gun for women. It is fairly safe to say they watch Magic Mike for the performances of the men, not the intricacies of the plot. I am not entirely the best person to judge the performances, but I can recognize that there is a high level of competence on display there. It helps that Tatum has some experience in the matter. Magic Mike is enjoyable if male stripping is your thing.

163: Haywire

Steven Soderbergh knows how to direct people with limited acting prowess. Look at Out of Sight, one of my favorite movies ever, and you will see Jennifer Lopez acting her heart out like never before or again. The same goes for Gina Carano in Haywire, Soderbergh’s first foray into the pure action movie genre. Carano used to be a professional fighter, but when Soderbergh saw her do her thing he wanted her in this movie. A wise choice, because what he needed in this movie was somebody who knows how to fight and make it look believable and Carano is not somebody you want to get into an argument with. She may be beautiful, but she will rip you to shreds if need be. She takes on Channing Tatum, Michael Fassbender and several others and every time you will be on the edge of your seat. Soderbergh frames everything in a very matter-of-fact way which lends a frantic reality to the movie. In addition to the action the movie is also surprisingly slow and introspective. That surprised me and reminded me of Soderbergh’s excellent thriller The Limey. There is a beautiful restraint to Haywire. The story may be fairly forgettable, but the action sequences and characters will be remembered for a long time.

164: The Man with the Iron Fists

Sometimes a person’s obsession should stay behind closed doors. A shining example of this is RZA’s obsession with kung fu movies and his directorial debut The Man with the Iron Fists. RZA (or Robert Fitzgerald Diggs) worked with Quentin Tarantino on the Kill Bill movies because of his seemingly limitless knowledge of kung fu movies and the sound effects used in these movies. It is this connection with Tarantino that undoubtedly made The Man with the Iron Fists a possibility, because I can’t think of a single other reason why this movie would have been made. Who would give a first-time director a big pile of money to direct his own debut screenplay and star in it himself? Nobody, unless you have people like Tarantino and Eli Roth (Hostel) backing you. This would of course not have been a problem if the movie in question had been good, which it is not. The Man with the Iron Fists is a jumbled ultra-violent mess with a lot of squandered potential. There are some great ideas here, which, in the right hands, would have made for a great tribute to a movie genre a lot of people love. The truth is, however, that a lot of the movies in the kung fu genre aren’t any good and The Man with the Iron Fists belongs to that group.

165: Finding Nemo 3D

Finding Nemo is my favorite Pixar movie. It has been for years. Toy Story 3 came close to dethroning Finding Nemo, but little details kept that movie from taking the top spot. After all these years Nemo is still a flawless movie. It flows perfectly from beginning to end and never veers from its path. It presents some of the best characters created for an animated movie (Bruce in particular). I still crack up at the same jokes as years ago, I still choke up at the same moments and I have seen Finding Nemo probably dozens of times since its release. Now that I have aged a little with the movie other things come into play. Since then I have become a dad twice and now I view it more through the eyes of Marlin, not Nemo. I recognize his reluctance to let his precious kid go, because that’s how I sometimes feel and then my oldest goes off and amazes me with everything he is capable of. It is hard to realize that Finding Nemo will be ten years old next year. It is as stunning as ever with its vibrant colors and beautiful compositions. Now, in 3D, I got to experience it again on the big screen with my kid who had only seen it on the small screen. He loved it… twice. The 3D didn’t really add that much to the movie. It was very subtle and never as eye-popping as it could have been. I think that sometimes the creators of these 3D editions could go a little further, but I guess they are being conservative after all the backlash in recent years.

Magic Mike @ IMDb
Haywire @ IMDb
The Man with the Iron Fists @ IMDb
Finding Nemo @ IMDb